This is an important contribution to the study of roman theatres and architectural decoration in Asia Minor.
More The Art and Material Culture of Iranian Shi'ism: Iconography and Religious Devotion in Shi'i Islam (Iran and the Persianate World: I. Tauris in association with the Iran Heritage Foundation) Shi'i Islam has been the official religion of Iran from the Safavids (1501-1732) to the present day.
280 pp., 261 ills.] The catalogue accompanying the Max Beckmann exhibition at the Städel Museum(Hatje Cantz) Max Beckmann (1884-1950) moved to the United States in the late summer of 1947.
He would spend the last three years of his life far away from Europe, years that signified a liberating, intense new start for him.
See example of her article on the holy and unholy in representation. Her major publications include Saracens, Demons, and Jews: Making Monsters in Medieval Art (Princeton, 2003).
More Nul = 0 - the Dutch Zero Movement in an International Context, 1961-1966 by Colin Huizing, Antoon Melissen, Diana Stiger, Pietje Tegenbosch, Tijs Visser, Caroline de Westenholz, Renate Wiehager, Atsuo Yamamoto, Midori Yamamura (NAi Publishers in association the Stedelijk Museum Schiedam) With the financial support of the Gifted Art Foundation Rotterdam, Harten Fonds Foundation, Schiedam Vlaardingen Fund and the ZERO Foundation, Düsseldorf A Seminal International Survey of the Legendary Artistic ZERO Movement The legendary Dutch Nul Group of the 1960s consisting of Armando, Henk Peeters, Jan Schoonhoven, Jan Henderikse and, for a while, herman de vries, has in recent years been the subject of renewed interest, both in the Netherlands and internationally.
In what areas of material culture has Iranian Shi'ism manifested itself through objects or buildings that are unique within the overall culture of Islam?More Max Beckmann The Landscapes edited by Bernhard Mendes Bürgi, Nina Peter, texts by Hans Belting, Bernhard Mendes Bürgi, Eva Demski, Nina Peter, Maren Stotz, Beatrice von Bornnann, graphic design by Schott & Schibig [236 pp., c.135 ills., 115 in color, 25 x 30.7 cm, hardcover] (Hajte Cantz) Highlights from the master's oeuvre—the landscapes.Max Beckmann is one of the titans of modern art, although he considered himself the last of the Old Masters.This publication examines the artist's landscape paintings, which are not characterized by layers of allegorical meaning, as are his works in other genres, and their splendid painterly qualities are instantly perceptible.In September 2011 the Stedelijk Museum Schiedam is staging an international exhibition about nul, the first to be held in the Netherlands for half a century.